By Jeanne Filler Scott
Turn your love of animals into paintings you adore!
From her kin farm in Kentucky, artist Jeanne Filler Scott spends her days joyfully surrounded by means of pets, barnyard animals and flora and fauna. during this ebook, she stocks her love of animals and her effortless recommendations for shooting their good looks and grace in acrylics, oils and pencil.
- 50 paint-along projects--complete in regards images, colour lists and illustrated step by step directions.
- Simple equipment for reasonable results.
- A wide variety of topics starting from pets and cattle to flora and fauna and exotics.
- Tips for reaching convincing fur textures, life like expressions and a number of common settings.
a big worth for artists of all ages and talent point, this immense assortment beneficial properties the easiest guide on a menagerie of matters to your inventive enjoyment--from loveable canines, proud pussycats and lovable bunnies to wonderful stallions and regal peacocks.
With assistance from this ebook, you could flip thought out of your favourite animals into lucrative artwork.
Read or Download Draw and Paint 50 Animals: Dogs, Cats, Birds, Horses and More PDF
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Additional info for Draw and Paint 50 Animals: Dogs, Cats, Birds, Horses and More
Five around, following the hair trend with parallel strokes. combine a golden buff colour for the lighter elements of the foal’s coat with Titanium White, Yellow Oxide and Cadmium Orange. Paint with a no. five around. combine the bluish shadow colour for the coat with Titanium White, Ultramarine Blue and Burnt Sienna. Use a no. five around for the legs and a no. three around for the halter, muzzle and eyelids. combine the nice and cozy white for the legs and the white superstar at the brow with a component of the golden buff colour combined with extra Titanium White. Paint with a no. three around. three upload aspect to the Foal combination the foal’s coat utilizing separate no. three rounds for the purple chestnut and the golden buff. mixture the place the 2 shades meet, utilizing a small quantity of paint and light-pressured strokes. Use an identical strategy to combination the foal’s different colors—dark brown and crimson chestnut, and crimson chestnut and bluish shadow colours. In a few parts, reminiscent of the higher a part of the left hind leg, combination via portray skinny parallel strokes of purple chestnut over the bluish shadow colour. Use those related brushes and colours so as to add aspect to the foal. Paint the tail with darkish brown and a no. three around with a little curved strokes. Use a separate no. three around and the bluish shadow colour to color a refined spotlight at the best of the tail, softening the perimeters. Tip you should use your artist’s license to color the foal’s tail, even though it doesn’t convey within the reference picture. this offers the portray a extra reasonable caliber, as though the foal had simply swished his tail. CHESTNUT COLT Acrylic on Gessobord 10” × eight” (25cm × 20cm) four Paint the completing info combine a spotlight colour for the foal with Titanium White and a marginally of Cadmium Yellow mild. Paint with a no. three around. combine slightly Titanium White, Ultramarine Blue and a slightly of Yellow Oxide with a slightly of Burnt Umber. Use this combination to color highlights within the eyes with a no. 1 around with small strokes. Tip To make the heritage glance farther away than the foreground, use shades which are lighter in price and extra bluish. this is often known as atmospheric point of view. venture 12: Paint Horse This strikingly patterned paint mare used to be a part of a herd of paint horses on a farm in Kentucky. I spent the total morning sketching and photographing the horses. they've been the topics of a number of of my work. Reference picture fabrics Paints Burnt Sienna Burnt Umber Cadmium Orange Cadmium Yellow gentle Payne’s grey uncooked Sienna Scarlet crimson Titanium White Ultramarine Blue Yellow Oxide Brushes no. 1, three, four, five and seven rounds 1 determine the shape and the darkish Values Draw the pony frivolously in pencil, utilizing a kneaded eraser to make corrections or lighten traces which are too darkish. With Payne’s grey thinned with water and a no. four around, paint the most strains and shape. combine a depressing brown for the shadowed components of the crimson coat with Burnt Umber, Burnt Sienna and Ultramarine Blue. Paint with a no. three around. whilst the 1st layer of paint is dry, upload one other coat. combine a bluish shadow colour for the white elements of the pony with Ultramarine Blue, Burnt Sienna and Titanium White.