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By Jacques Derrida

Antonin Artaud (1896-1948)—stage and movie actor, director, author, drug addict, and visible artist—was a guy of rage and genius. The mystery artwork of Antonin Artaud is the 1st English translation of 2 recognized texts on his drawings and pix. in a single, Jacques Derrida examines the works that he first observed at the partitions of Paule Thévenin's house. His textual content, as frenzied as Artaud's, struggles with Artaud's strange language and is punctuated via footnotes and asides that mirror this pressure ("How will they translate this?"). The more uncomplicated textual content of Paule Thévenin describes the background of Artaud's drawings and snap shots.

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NC248. A72T4713 1998 741'. 092-dc21 97-44637 CIP Bach time I ensue to recall-nostalgically-the surrealist uprising as expressed in its unique purity and intransigence, it's the character of Antonin Artaud that sticks out in its darkish beauty, it's a convinced intonation in his voice that injects specks of gold into his whispering voice.... Antonin Artaud: i don't need to account in his stead for what he has skilled nor for what he has suffered .... i do know that Antonin Artaud observed, the best way Rimbaud, in addition to Navalis and Arnim ahead of him, had spoken of seeing. it's of little outcome, ever because the booklet of Aurelia, that what used to be noticeable this manner doesn't coincide with what's objectively seen. the true tragedy is that the society to which we're much less and no more commemorated to belong persists in making it an inexpiable crime to have long gone over to the opposite aspect of the having a look glass. within the identify of every thing that's greater than ever on the subject of my center, I cheer the go back to freedom of Antonin Artaud in a global the place freedom itself needs to be reinvented. past the entire mundane denials, I position all my religion in Antonin Artaud, that guy of prodigies. I salute Antonin Artaud for his passionate, heroic negation of every thing that reasons us to be useless whereas alive. Andre Breton, "A Tribute to Antonin Artaud," pp. 77-79, in loose Rein (La Cle des champs), trans. Michel Parmentier and Jacqueline d'Arnboise (Lincoln: collage of Nebraska Press, 1995) Preface: Derrida's Maddening textual content: AR-TAU · Mary Ann CtHus · ix the quest for a misplaced global · Paule Thevenin · 1 To Unsense the Subjectile ·Jacques Derrida · fifty nine Mary Ann Caws Only the name of the unique book of Paule Thevenin and Jacques Derrida's remark on Antonio Artaud's artwork is straightforward: Antonin Artaud: dessins et graphics. every thing else is of a difficulty you could quite sink your brain into. Derrida's textual content, "Forcener le subjectile" -an expression that forces, incarcerates, and maddens in a slightly of unfathomable genius-deals fathoms deep with what underlies a textual content like that of Artaud himself, so visually, verbally, heroically mad. It units out to additional a frenzy, to unsense thoroughly, to set issues askew-forever. The language is already layers deep in pressure: seeing that this quantity was once to seem first in Germany, and initially basically there (Munich: Schirmer/ Mosel Verlag, 1986) and never in France, Derrida's French textual content, ready for German readers, addresses, in footnotes and asides, the adaptation among the Latinity of French and the anti-Latin nature of German: "How will they translate this? " "German has no means of claiming ... " "You are examining in German here.... " because the French model leaves these traces in, so does the Englished model, intentionally: the tension contributes to the intensity. Derrida's French struggles with Artaud's odd language, as with the anticipated German reception to his fight; simply so, the translator into English struggles with either, opposed to and in addition to the otherness, i would say the foreignness, of Artaud himself.

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